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Kerala
Dances
Kerala
has a rich repertoire
of folk dances. They
reflect the temperaments
and moods of the localities
in music and costumes
and are highly developed.
Religious coloring
is mostly seen in
almost all of these
folk dances, even
in those performed
in connection with
harvests, sowing of
seeds festivals etc.
Men alone, some exclusively
by women, perform
many of these dance
forms. There are also
dances in which men
and women perform
together. Most of
the folk dances are
performed to the accompaniment
of songs, which are
sung by the dancers
themselves or occasionally
by a group of musicians.
Some are performed
to the accompaniment
of musical instruments
only. In several dances
the performers form
a circle and clap
as they dance. Sometimes,
instead of clapping
they strike small
sticks, which they
hold in their hands.
The costumes and ornaments
are peculiar to the
places to which they
belong. In these folk
dances there is no
difference between
the performers and
the audience. Almost
all of these dances
are simple but beneath
this simplicity are
a profundity of conception
is a directness of
expression, which
are of a high artistic
order.
There
are more than fifty
well-known folk dances
in Kerela. Of them the
Kaliyattom,
Mudiyettu, KolamThullal,
Padayani, Kolkali, Parichamuttukali,
Thappukali, Kuravarkali,
and Thiruvathirakali
are the most
popular.
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The
classical dance form
of Kerala has its
origins in folk dances,
which became more
sophisticated and
stylized as it evolved
into the classical
dance performed today.
Kathakali is characterized
by its elaborate costume,
which includes multiple
layers of clothing
and ornate headgear.
The stories performed
are all episodes from
the epics, including
the Ramayana and the
Mahabharata. The faces
of the heroic characters
in Kathakali are painted
green in color, the
villains and demons
are painted black
and the women's faces
are painted yellow.
Performances often
begin in the evening
and can go on all
night......>>more
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The
dance of the celestial
enchantress, Mohiniyattam
is characterized by
graceful movements of
the body and limbs and
facial and hand gestures
that convey a range
of emotions......>>more |
Kalaripayattu
is the comprehensive
system of martial
arts if Kerala, regarded
as one of the oldest
and most scientific
in the world. Kalaripayattu
training aims at the
ultimate co-ordination
of mind and body.
The traditional training
in a Kalari includes
specialisation in
indigenous medical
practices too. Kalaris
are also centres of
religious worship........>>more
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This
graceful dance is performed
by women on the festival
of Onam. An oil lamp
is lit in the courtyard
and women dance around
it in a circle with
coordinated graceful
movements of the limbs
and body.....>>more |
Theyyam
or Kaliyattom
Theyyam
other wise known as
kaliyattom, is an
ancient socio-religious
ceremony performed
in Kerala since very
remote times. socio-religious
ceremony performed
in Kerala since very
remote times. As the
word kaliyattom denotes
this is a sacred dance
performance for kali.
Kaliyattom is sometimes
called Theyyattom
because every thera
or village was duly
bound to perform it.
In ancient times every
village of Kerala
has its own common
shrine called Kavu
and it was imperative
to have kaliyattom
performed in front
of it. As the word
kali has also the
meaning of safety
in Malayalam, Kaliyattom
may have the significance
of a sacred dance
for social or family
safety.
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Thullal
This
ritual performance consists
of a solo artiste who
dances and recites the
accompanying verses.
The symbolic meaning
of the verses, are explained
through the medium of
the Thullal dance. |
Pulikali
Pulikali
also known as kaduvakali
is a common sight in
Kerala during festive
seasons. Performers
painted like tigers
in bright yellow, red
and black, dance to
the loud beats of percussion
instruments like the
udukku and thakil. |
Kalampattu
Kalampattu
(kalamezhuthu pattu)
is another folk art
form that belongs
to the northern regions
of Kerala. This art
form which is over
600years old is performed
by a group of five
to fifteen people
in Bhadrakali and
Ayyappa temples. The
rituals is performed
around the kolam -an
elaborate picture,
usually of Bhadrakali,
drawn on the floor,
using five colours.The
performance in the
light of temple torches
lasts through the
night. The singers
are neatly dressed
with women wearing
their hair on the
side of the head.
A series of songs
(kalampattu) are sung
to the accompaniment
of nanthuni and elathalam.
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Kavadiyattam
Kavadiyattam
is a ritual dance
offering in Subramanya
temples. The group
of devotees wearing
bright yellow or saffron
costumes with ash
smeared all over the
body, dance in a frenzy
carrying Kavadis on
their shoulders. Kavadis
are colourful bow
shaped wooden structures
rising six to ten
feet high. The ambalakavadi
is structured and
decorated like a temple.
The Pookavadi has
clusters of colourful
paper, cloth or plastic
flowers arranged on
them. The resounding
beats of percussion
instruments like udukku
and chenda and the
nadaswaram are characteristic
of the kavadi procession
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Kolkali
Kolkali
is a group dance form
of the farming community
in Kerala. Twelve to
twenty four dancers
move rhythmically in
a circle around the
ceremonial lamp, tapping
the two feet long wooden
sticks held in their
hands. |
Kaliyoottu
Kaliyoottu
is an eight day long
colourful folk ritual
which re-enacts the
combat between goddess
Durga and the demon
Darika. The ritual
is performed in different
stages. The climax
of the play- the ritual
called paranettu-
is performed on a
specially constructed
100 feet high stage
on the eight day.
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Mudiyettu
Mudiyettu
is ritualistic dance
springing form the
Bhagavathy cult. The
theme depicts the
glory and triumph
of Bhagavathy over
the demon Darika.
The characters are
all heavily made up
with gorgeous costumes,
intricate and elaborate
and with conventional
facial paintings,
tall head - gears
etc. Attired and adorned
exotically with a
unique weirdness and
hideousness, the characters
seem quit supernatural.
Their mien and array
make them colorful,
imposing and awe-inspiring
in the extreme. The
dance is performed
by a set of people
known as Kuruppanmar,
mainly in Bhadrakali
temple. In the dance,
a kolam of Kali first
made up to which floral
offerings and other
rituals are made.
Then it is taken round
the temple to the
accompaniment of percussion
instruments. The kolam
is then installed
in a suitable place.
The dance proper is
then enacted. In the
first part Narada,
the celestial sage,
is seen informing
Lord Shiva of the
evil deeds of the
demon Darika, and
the consequent sufferings
of the evil deeds
of the demon Darika,
and the consequent
sufferings of the
people. Shiva agrees
to send Bhadrakali
to kill Darika. In
the next phase, Bhadrakali
and Darika enter and
the whole temple yard
is turned into a battle
- field. In the end
Bhadrakali kills Darika.
Chenda and elathalam
are the instruments
used
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Kolam
Thullal
This
is a ritual offering
usually performed to
get rid pf the troubles
caused by evil-sprits. |
Parichamuttukali
This
is martial folk dance,
which had its origin
during the days when
Kalaripayattu, the famous
physical exercise of
swordplay and defence
was in vogue in Kerala. |
Kuravar
Kali
Kuravar
belong to the former
untouchable class of
people who were not
permitted to enter the
precincts of temples.
The Kuravarkali dance
is usually performed
outside the temple walls
in connection with festivals. |
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