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Fair and Festival of Sikkim

Phang Labsol

At this festival the snowy range of Kanchendzonga is worshipped for its unifying powers. This festival also marks the signing of the treaty of brotherhood between the Lepchas and Bhutias. The local deities were invoked to witness the historic occasion. The guardian deity is portrayed by a masked Lama dancer as a fiery red-faced deity wearing a crown of five skulls and riding a snow-lion, a truly colourful spectacle indeed.

Bum-chu

Bum - means "Pot or Vase" Chu - means "Water. The pot containing the Holy water is opened by the Lamas of the monastery. The level of water in the pot tells of things to come in the forthcoming year. If the water is to the brim, it prophesies bloodshed and disturbances and if the pot is almost dry it signifies famine. However, if it is half full it foretells a year in which peace and prosperity will reign. A part of the holy water is distributed amongst the participants and then the pot is replenished with river water and sealed at the end of the festival to be opened only in the next Bumchu.

Lhabab Dhuechen

This festival symbolises the descent of Lord Buddha from the heavens. Lha - means "Heaven" Bab - means "Descent". Legend has it that when Lord Buddha attained Enlightenment, through his spiritual powers he got to know of the whereabouts of his mother and at the age of forty one ascended to the heavens along with thousands of his followers. He stayed in heaven for three months where he preached to his mother but other celestial. Maugalyayana, Buddha's disciple who was on earth as his representative and who also possessed miraculous powers went up to heaven to ask the Lord to return back to the earth. The gods were unwilling to let Lord Buddha return to earth so Maugalyanana suggested that the celestial beings could come to earth instead to attend his preachings. So Lord Buddha decided to come back to earth at a place called Sankasya along a triple ladder that was prepared especially for the occasion by Viswakarma, the God of Machines. This festival hence celebrates this legend of the Lord Buddha.

Saga Dawa

Saga Dawa is a festival that celebrates and marks the various stages in Buddha's life, namely his birth, his enlightenment and finally his nirvana.

Drupka Tekshi

This festival celebrates Buddha's first preaching of the four "Noble Truths" to his first five disciples in Deer Park at Sarnath. At Gangtok, there are prayers at the Deer Park and at a secluded place called Muguthang in extreme North Sikkim, followed by a Yak race.

DANCES OF SIKKIM

Khang-chen-dzod-nga Dance: The two day festival of dance performed during the worship of snowy range of Kanchanjunga (Khang-chen-dzod-nga) is a dance peculiar to Sikkim alone. It is celebrated in September. The third Chogyal of Sikkim, Chador Namgyal (1686-1716) introduced this dance about two and a half centuries ago as a result of a vision.

Kanchendzonga is portrayed as a fiery red - countenanced deity with a crown of five skulls, riding the mythical snow lion and holding aloft the banner of victory. Esoteric masks, flashing silks, opulent brocades and embroidered boots are the costumes of the dancers. The dancers are all male. In this warrior Dance the warlike pomp and panoply, the war deity resplendent the flaming robes, the fantastic Snow lion, comprise the essence of the dance. This mask dance is termed as Singhi Dance i.e. Lion Dance by Nepalese. They visualise the ferocious god of Kanchanjunga riding over a lion and hence call this dance as Singhi Dance.

Black Hat (Kali topi) Dance: On Lossoong, the Sikkimese New Year Day, Black Hat (kali topi) Dance demonstrating the triumph of good over evil is demonstrated. This masked dance is also performed by male dancers mostly the Lamas. The dance revives the old story which narrates that about twelve centuries ago King Land-Darma was slain for suppressing Buddhism in Tibet. The king was slain by a Lama wearing a fantastic black robe lined with white and riding a white horse blackened with soot .

Other dances are 'Bara Singha Dance (the Stag dance) and Kankal Dance (the Skeleton Dance) and folk dances like, the Limbus celebrating a good harvest. There are some soft rhythm dances too in which women can participate. The Tamang (Dampu Dance )and Maruni dances (Nepali Dance) are such in which a couple wavering lighted tapers on their open palms participate. The Limbus perform the Dhol Dance after harvesting their paddy crop. Lepcha people also perform a group dance after harvests. The Lepcha folk dances are quite bristle and Gay. The Sikkimese dances find their roots in the traditional culture seasonal cycles of this fabled Himalayan state.

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